Masamune - Wikipedia. Masamune Portrait. Masamune(. He created swords and daggers, known in Japanese as tachi and tant. No exact dates are known for Masamune's life, and he has reached an almost legendary status. It is generally agreed that he made most of his swords in the late 1. Some stories list his family name as Okazaki, but some experts believe this is a fabrication to enhance the standing of the Tokugawa family. He was father by blood or adoption. Although not awarded every year, it is presented to a swordsmith who has created an exceptional work. He is considered to have brought to perfection the art of . There are also some blades with ko- midare (small irregularities), a style which appears to have been copied from the Old Bizen and Hoki Province styles. His works are well- characterized by striking chichi (dark lines following the grain pattern in the steel above the hamon), kinsuji (lightning shaped lines of nie) and nie (crystals of martensite embedded in a pearlite matrix). Swords created by Masamune often are referred to with the smith's name (as with other pieces of artwork), often with a name for the individual sword as well.
Masanjia LensMasanjia CnnVaginal Coma, a new book revealing the brutal sexual torture of female Falun Gong practitioners and petitioners detained in Masanjia Labor Camp in. The Masanjia Women’s Labor Camp was supposed to be closed down, but now it simply has two names. Chinese Labor Camp Whistleblower Escapes. Judging from his style, he was active from the late Kamakura period to the Nanboku- ch. The catalogue was created on the orders of the Tokugawa Yoshimune of the Tokugawa Shogunate in 1. The first book, known as the Nihon Sansaku, is a list of the three greatest swordsmiths in the eyes of Toyotomi Hideyoshi including Etchu Matsukura Go Umanosuke Yoshihiro, Awataguchi Toshiro Yoshimitsu, and lists forty- one blades by Goro Nyudo Masamune. The three books together list sixty- one blades by Masamune. There are far more blades listed for Masamune than the next two swordsmiths combined. It is known that Hideyoshi had a passion for Soshu swordsmiths which may explain this. A third of all swords listed are Soshu blades by many of the greatest Soshu masters including Masamune's students. Legends of Masamune and Muramasa. They both worked tirelessly and eventually, when both swords were finished, they decided to test the results. The contest was for each to suspend the blades in a small creek with the cutting edge facing the current. Muramasa's sword, the Juuchi Yosamu(. Highly impressed with his pupil's work, Masamune lowered his sword, the Yawarakai- Te(. However, the fish swam right up to it, and the air hissed as it gently blew by the blade. After a while, Muramasa began to scoff at his master for his apparent lack of skill in the making of his sword. Smiling to himself, Masamune pulled up his sword, dried it, and sheathed it. All the while, Muramasa was heckling him for his sword's inability to cut anything. A monk, who had been watching the whole ordeal, walked over and bowed low to the two sword masters. He then began to explain what he had seen. It may just as well be cutting down butterflies as severing heads. The second was by far the finer of the two, as it does not needlessly cut that which is innocent and undeserving. Or alternatively both leaves were cut, but those cut by Masamune's blade would reform as it traveled down the stream. Yet another version has leaves being sliced by Muramasa's blade while the leaves were repelled by Masamune's, and another again has leaves being sliced by Muramasa's blade and healed by Masamune's. In yet another story Muramasa and Masamune were summoned to make swords for the Shogun or Emperor and the finished swords were held in a waterfall. The result is the same as the other stories, and Masamune's swords are deemed holy swords. In one version of the story Muramasa is killed for creating evil swords. While all known legends of the two ever having met are historically impossible, both smiths are widely regarded as symbols for their respective eras. Students. Though the kanji characters are pronounced in Japanese as 'Nagayoshi', by convention the Chinese pronunciation of 'Chogi' is used for this smith, and a handful of others (less commonly for his student Kanenaga, pronounced in Chinese as 'Kencho'). Kanemitsu. Kanemitsu produced swords that were used by great men and generals. He most likely wasn't taught by Masamune directly but was influenced by the Soshu and was a leader in the Soden Bizen revolution. Shizu Saburo Kaneuji. His swords are most like those of Masamune and quite often confused with his. The Mishina school can trace its history back to Kaneuji and through him back to Masamune. He is also known as Kaneshige using the Japanese pronunciation of his name. He and Kaneuji are founders of the Mino style. He was a monk at the Seisen- ji in Tsuruga, and led to the creation of Echizen swordmaking like Kuniyuki, moving to Mino around the time of Ryakuo (1. Seki tradition. His swords are considered by some to be equal to Akihiro and Hiromitsu. He created the Heshikiri Hasebe (The Forceful Cutter) listed in the Kyoho Meibutsu Cho, owned by Toyotomi Hideyoshi and then by Oda Nobunaga. It bears a gold appraisal inlay of Honami Kotoku called a Kinzogan (. Today the sword is a family heirloom of the Kuroda Daimyo Ke. The sword takes its name from the story of Oda Nobunaga drawing it to cut through a table to kill Kannai, a tea master who betrayed him. Kunitsugu. The influence of the Soshu and Yamashiro traditions can be observed in his works. Saemonzaburo. Considered by some to be one of the greatest of Masamune's students. As well as being a Soshu swordsmith he also created the Chikuzen tradition. Saeki Norishige. However, current research indicates that he was a senior student to Masamune, junior to Yukimitsu, under the great teacher Shint. He, like Go, hails from Etchu province and is well known as the only smith to have mastered the style of matsukawa- hada (pine tree bark pattern steel), making his work unique. Go Yoshihiro. He is believed to have gone by the names of Go Yoshihiro or simply Go, the name of the town from which he came. As well as being a Soshu swordsmith he is a member of the Etchu tradition. He is considered to have the highest skill in forging swords among the Masamune Juttetsu . His work is considered by many to have been influenced by Soshu(. Like his father he left no signed work, but is considered peerless in the Soshu tradition after Masamune. Akihiro (. It is one of the best known of the swords created by Masamune and is believed to be one of the finest Japanese swords ever made. It was made a Japanese National Treasure (Kokuh. The name Honjo possibly came about due to this sword's connection to the general Honjo . Shigenaga was attacked with the Honjo Masamune which split his helmet, but he survived and took the sword as a prize. The blade had a number of chips from the great battle but was still usable. It was kept by Shigenaga until he was sent to Fushimi Castle, Bunroku around 1. Shigenaga ran out of funds and was forced to sell the sword to Toyotomi Hidetsugu, Toyotomi Hideyoshi's nephew and retainer. It was bought for 1. Mai, 1. 3 . The blade was later valued in the Kyoho Meibutsu Cho at 1,0. Mai. It then went to Toyotomi Hideyoshi (. It remained in the Kii (. Shortly thereafter in January 1. Mejiro police gave these swords to a man identified as . In an episode of Expedition Unknown, Josh Gates traveled to Japan in search of the Honjo Masamune. The Honjo Masamune is the most important of the missing Japanese swords and its current location remains unknown. It was bought by Toyotomi Hidetsugu. Maeda Toshitsune presented it again to the Shogun, possibly on his retirement. Later, the sword was handed down among the Owari Tokugawa. It also has chopstick like grooves (Gomabashi . The blade features an engraving of Fudo Myo- o, the buddhist deity which gives this blade its name. Soon after seeing it passed from hand to hand throughout the 2. Century, the Musashi Masamune finally made its way to the Nihon Bijutsu Token Hozon Kyokai in the year 2. Motoo Otsuyasu. The Musashi Masamune is a tachi, measuring 7. Masamune's signature features; though it is debated that its o- kissaki is not that of his style, it is compared to blades made in his later career, which shows the transition of the Kamakura styles into the Nanbokucho era. It is of rumor that, while the blade is named after Musashi Province, where Edo and current day Tokyo stands, its origins stems from being once in the possession of Miyamoto Musashi, who is considered Japan's most famous swordsman. The sword is classified as a meibutsu National Treasure of Japan. H. One of the three blades has a Gomabashi in cutout (Sukashi). It was restored around 1. Hiki. It is presently on display in the Tokugawa Art Museum. In this case Kote is contracted word of Yugote (. This name comes from an episode that Asakura Ujikage cut an opposing samurai's yugote in the battle of Toji in Ky. Oda Nobunaga gained possession of this sword and had it shortened to its present length. In 1. 61. 5 it eventually passed down to the Maeda clan who in 1. Emperor Meiji, a known sword collector. THE MIYAIRI SCHOOLArchived January 1. Wayback Machine.^ abcdhttp: //internal. History of Masamune by Jim Kurrasch Archived April 2. Wayback Machine.^The Japanese Sword Society of the United States^. TOKUGAWA ART MUSEUM - Exhibition Room 1. Accessed 1. 9 August 2. Zukai Nihonto jiten. Kabushiki kaisha Gakushuu Kenkyujo. Retrieved 2 January 2.
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